Urban transformation of Naviglio Grande Milano. 

New museum system developed new spatial sequence



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This paper attempts to reconstruct the relationship between Naviglio Grande and its surrounding diverse elements in the evolution of urban Milan, shaping a spatial sequence that emphasizes “past, present, future”. Based on the research background, the cross-sectional sequence of the public space perpendicular to naviglio grande was redefined. Piazza Tirana, which represents the spirit of the contemporary Milanese city, will be lightly intervened, emphasizing the connection to the texture of urban fabric and giving the sequence a directionality. The design of bridge is not only the physical connection between the rails and the canal, but also the reproduction of the “conche accolate” memory. The “past” links present and future and gives more possibilities for integration between divers elements. The main body of museum that represents the “future” has been proposed by us as an open relationship between architecture and landscape. The main language of the slash is the contemporary continuation and interpretation of the texture of the old city, emphasizing the centripetal relationship in the axial direction. Local elements such as water and plants are reproduced again. From Piazza Tirana to the new main museum it can considered as a holistic museum system.



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本文试图在米兰城市的演变过程中重构纳维利奥格兰德与周边多元元素之间的关系,塑造一个强调“过去、现在、未来”的空间序列。基于研究背景,重新定义了垂直于naviglio grande的公共空间的横截面序列。代表当代米兰城市精神的地拉那广场将被轻轻介入,强调与城市肌理肌理的联系,并赋予序列方向性。桥梁的设计不仅是铁轨与运河的物理连接,更是“海螺酒”记忆的再现。 “过去”链接现在和未来,为不同元素之间的融合提供了更多可能性。代表“未来”的博物馆主体被我们提出为建筑与景观之间的开放关系。斜线的主要语言是对旧城肌理的当代延续和诠释,强调轴向的向心关系。水和植物等当地元素再次再现。从Piazza Tirana广场到新的主要博物馆,它可以被视为一个整体的博物馆系统。